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Ministry of Culture of RA VivaCell APO
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Topchjan-I-believe

Armenian National Anthem - performed by the Armenian Philharmonic Orchestra. Conductor Eduard Topchjan. September 2011 (click to download)


Armenian National Anthem - performed by the Armenian Philharmonic Orchestra and Armenian State Academic Capella. Conductor Eduard Topchjan. September 2011 (click to download)

DAVID KHANJIAN (1940-1981)

Conductor/pianist/Distinguished Artist of the Republic of Armenia/Laureate of State Prize
Worked with Armenian Philharmonic Orchestra as the Artistic Director and Principal Conductor in 1974-1981.

David Khanjian studied music at Yerevan Conservatoire, classes of Professor Robert Andreasyan (piano) and Professor Mikael Maluntsyan (conducting). In 1972 – 1973 David Khanjian refined his conducting skills at Vienna Academy of Music coached by H.Svarovsky and G.Cherkh. Later he taught at Yerevan Komitas State Conservatory.
Khanjian’s era is marked by extending the repertoire when compositions like Richard Strauss’ Poems (“Don Quixote”, “Death and Transfiguration”, “Also Sprach Zarathustra”), Mahler’s Symphonies No.1 and No.5, Ballet Suites (“Firebird”, “Petrushka”, “The Rite of Spring”) and the Violin Concerto by Stravinsky, “Enchanted Tangerine” and Piano Concerto No.2 by Bartok, “The Sea” by Debussy were presented. Works by Armenian composers were highly essential in the repertoire (He was especially dedicated to performing the works of Avet Terteryan).
During his tenure the orchestra expanded its touring activities, performing in the concert halls of Moscow, Baltic republics, Transcaucasia, Leningrad, Kiev to delight of grateful audiences.

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Review
  • Review by V. Vasan raps

    Cellist Alexander Chaushian is wonderful artist with excellent technique and musicianship, conveying a wide range of emotions and styles of music. The Armenian Philharmonic Orchestra under the baton of Eduard Topchjan is an excellent accompaniment to the cellist, equally capable of evoking man

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    Rachmaninov Rocks: Nareh Arghamanyan has developed by leaps and bounds since her 2008 Concours Musical International de Montréal victory, followed by a debut solo disc containing proficient yet overly rhapsodic performances of Liszt’s B minor and Rachmaninov’s B-flat minor sonatas. Arghamanyan’s new all-Rachmaninov recital reveals a more disciplined, controlled, architecturally aware, and expressively sophisticated artist. [...]
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