Ministry of Culture of RA VivaCell APO
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Topchjan-I-believe

Armenian National Anthem - performed by the Armenian Philharmonic Orchestra. Conductor Eduard Topchjan. September 2011 (click to download)


Armenian National Anthem - performed by the Armenian Philharmonic Orchestra and Armenian State Academic Capella. Conductor Eduard Topchjan. September 2011 (click to download)
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ARAM KATANYAN (1926-1998)

Conductor, pedagogue, People’s Artist of RA
Worked with Armenian Philharmonic Orchestra as the Artistic Director and Principal Conductor in 1970-1973.

Aram Katanyan graduated from Yerevan Komitas State Conservatory class of Constantine Saradjian in 1950. He has been the conductor of the Radio Symphonic Orchestra in Sverdlovsk. Since 1958 has been a conductor at Yerevan Opera Theatre, from 1964 to 1970 and from 1974 to 1982 has been the Principal Conductor of the same theatre. He staged I. Stravinsky’s Opera-Oratorio “Oedipus Rex”, L. Bernstein’s Musical Drama “Westside Story”, Vincenzo Bellini’s Opera “Norma”, Jan Carlo Menotti’s Opera “Consul”, as well as Aram Khachaturian’s “Spartacus”, Ed. Hovhannisyan’s “Eternal Idol”, Grigor Yeghiazaryan’s “The Lake of Dreams” and “Ara the Beautiful and Shamiram”, Alexander Arutiunian’s “Sayat Nova” and many other works.
For the years of the work with the APO Katanyan presented Mahler’s Symphony No.4, “Harold in Italy” Symphony by Mahler, modern works by European, Russian and Armenian composers. On November 5, 1970 the newly laced organ at Aram Khachaturian Concert Hall was presented for the first time with performing of Symphony No.3 by Aram Khachaturian.

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Review
  • REVIEW BY AMAZON AMAZON REVIEW

    This Oehms Classics all-Mozart disc features two fine piano concerti, KV 238 and KV 415 together with the overtures to Le Nozze di Figaro and Don Giovanni. KV 415 (1782) is notable for having the largest orchestra forces Mozart had employed up until that time. German pianist Andreas Frölich, concer

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  • An eloquen remembrance by Armenian National Philharmonic
    Armenia’s struggle for international acknowledgment that the extermination of more than a million Armenians by the Ottoman Empire during the First World War was genocide has been the work of historians and politicians. But it is also a job for art, especially with the recent 100th anniversary of the first deportations from Turkey. On Tuesday, Armenia was awarded the Venice Biennale’s Golden Lion for best national pavilion, “Armenity,” which addresses the Armenian diaspora
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